Tuesday, October 10, 2006

Close Textual Analysis
The scene that I have chosen to analyse is the final fight between The Chelsea and Milwall firms.
Staight away, the long shots of the crowd indicate the large number of men that are there, reiterating the fact that you stay together. Again this is continued when the Milwall firm come out from the tunnel; out of the darkness and into the light, connoting the idea of walking into the light, foreshadowing the death or near death of the protagonist, Tommy Johnson. Throughout this opening to the scene, there is an incesant repitition of derogatory terms and hand gestures, indicating the male ego, and how barbaric their nature can be.
The camera zooms out to show how great the number of people that are there, shocking the audience, yet this is Love's portrayal of a real fight, and that these would be the equivalent amount of people in a real fight.
Both firms wait for a bit and psyche each other out by swearing, gesticulating etc all contributing to the representation of football hooligans being inhuman, and building up tension and suspense for the audience. This is emphasised moreso when both firms charge at one another and begin to fight.
During the fight there are many close ups on the blood stained faces and the expressions, where Love educates the audience on the damage that is done, where it reiterates the idea of the hooligans inhuman behaviour, and how their anger for one another can lead to such disastrous effects. Also, the camera movement shifts to a hand held style, contributing to the realism, making it cinematically seem more like a documentary therfore making it more believable. On the other hand, the sound when the punches or kicks hit a body have been emphasised reducing this reality factor, yet the audience are so engrossed in the extreme violence that they do not pay attention to it, and that it enhances their voyeuristic needs and aids the sense of escapism.
The aerial shot in actuality is rather high budget for an arthouse film but proves to be really effective in this scene. It again, emphasises the number of grown men that are fighting shocking the audience. Also as it is from a low angle, where we the audience are looking down upon them, indicaates their derogatory/colloquial manner and that we have more intellect then them, representing them as mindless beasts that are not neede by society. It alsoemphasises the fact that we are watched where ever we go.
Amongst the faces it can be seen that there is a mixture of black and white faces, showing how both ethnicities are drawn into the violence of football hooligansim, in a way representing a multi-cultural society within the football hooligan world.
As we progress in the scene the protagonist is finally caught out from the rival where the disequilibrium from before has been restored resulting in equilibrium. The close up on his face and the number of people attacking one man, shows how they have no mercy where the audience are shocked as well as entrigued as their sadistic pleasures are also being fulfilled.
The police finally come, where the van comes straight into the static shot, filling up the frame. This could symbolise that police are everywhere in society, therfore you are inevitably going to get caught if you commit a crime.
Football Factory End Fight

Scene from the end fight, bit of a crap copy though.

Monday, October 09, 2006

del.ici.ous links

Rotten Tomatoes
http://uk.rottentomatoes.com/
By finding different film reviews on The Football Factory will emphasise its genre and how its success in comparsion with a hollywood title is not as great.

KatPad
http://www.katpad.co.uk/media%20website%202000/index.html
Relevant to my study as there is a section on the gangster genre where The Football Factory partly falls into, due to the strong emphasis on maintaning your teritory and the explicit scenes of violence and drug references.
Virgin
Has the trailer of my film.
Men: General
Bibliography on theroies and theroist of the male gender.
BFI
Another Bibliography and is relevant to others.
Stanford Encyclopedia of Philosophy
The correspondance theory of truth can be applied to my text as it states that truth consists in a relation to reality.

Tuesday, October 03, 2006

Key Words

1) Screening the Male (Cohan and Rae Hark, 1993):
This will be a good text to use where relevant theories can be applied.

2) You Tarzan: Masculinity, Movies and Men (Kirkham and Thumim, 1993):
Another good text as my independent study deals with the reoresentation of
males.

3) Patriarchy:
Male domination of the political, cultural and socioeconomic system. (The
film is from a male point of view throughout, with either one or two women
throughout the film, who are objectified.)

4) Low-budget Film:
A film made with limited funds, without th backing of a major production
company. (This reflects the institution of the film.)

5) Action code:
A narrative structure based on a dramatic sequence of events, often leading
to a violent resolution. (This is the narrative structure of The Football
Factory.)

6) Art House:
A cinematic production generated by aesthetic and cultural production values
rather than comercial considerations. (This reflects the genre of the film.)

7) Enigma Code:
A narrative structure that involves the creation of riddles or problems to be
solved by the resolution. (The audience are left withe repetitive enigma in the
film.)

8) Ethnography:
A form of research where the researcher attempts to understand a culture by
becoming part of it. (McIntyre does this when he joins the Chelsea
Headhunters.)

9) Iconography:
The distinguishing elements, in terms of props and visual details, which
characterises a genre. (Close attention to detail has ben payed to the clothing
of the characters, making the film seem more real.)

10) Realism:
A film and television style that attempts to represent the real world. (The
film achieves this.)